Kamifoundation11/8/2023 ![]() Kami has also expanded his figurative painting to include depictions of hands, often shown with palms pressed together in prayer, underscoring the physical nuance of this part of the body, as well as the pervasive symbolism of its gestures. Rendered in black, white, blue, or gold, these paintings feature square or rectangular marks painted in concentric circles to create pulsing tessellated voids-universal evocations of the passage from darkness into light. In the Endless Prayers series, Persian, Hebrew, Arabic, and Sanskrit poems, prayers, and verses have been cut into rectangular fragments and pasted into mandala formations, their spiraling patterns echoing the repetitive nature of worship.Įndless Prayers led to the Domes series, which incorporates references to sacred architecture. In this work, the subjects’ cultural context is clear the multiple canvases depict clerics representing Judaism, Christianity, and Islam, and were based on a New York Times photograph of a gathering aimed at banning a gay pride festival (“Intolerance,” Kami recalls, “was something that they all agreed upon and shared”). In 2007, Kami participated in the 52nd Biennale di Venezia, exhibiting several paintings including a group of portraits titled In Jerusalem (2005–06). Other works, such as Dry Land (1999–2004), juxtapose painted portraits with photographic images of façades and buildings, the structures’ weathered surfaces underscoring a sense of lived history. A 2006 exhibition, Without Boundary at the Museum of Modern Art, New York, saw Kami starting to paint his subjects with their eyes closed or lowered, making the entire surface of the face a focal point. Over the subsequent decade he produced multipart works, including Untitled (18 Portraits) (1994–95). There, he started work on Self-Portrait as a Child (1990), which marks the beginning of a series of paintings, drawings, and photographic works based on a picture of himself as a boy in Iran. ![]() ![]() In 1984, Kami moved to New York, where he continues to live and work. There he studied philosophy at the Sorbonne-from which he graduated in 1981-and subsequently at the Conservatoire Libre du Cinéma Français. Following high school, and after a year spent in Berkeley, California, he moved to Paris. He painted from early childhood, sometimes with his mother (who worked for a time under the well-known Persian academic painter Ali Mohammad Heydarian ), and was exposed to both Western and Near Eastern influences, particularly the paintings of the European masters and the verses of thirteenth- and fourteenth-century Persian poets. In his abstract works, Kami extends this interplay of surface and interior through forms inspired by architecture, geometry, poetry, and, more recently, hazy, oneiric imagery. Rendered in matte oil paint on linen, these meditative images recall Byzantine frescoes and Fayum funerary portraits, locating the unknown and the infinite in material form and presence. In large-scale portraits based on his own photographs, he restages face-to-face encounters, using sfumato to depict family, friends, and strangers with eyes open or closed, gazing straight ahead or looking down. Kami explores the flux between matter and spirit, external appearance and inner life. I also like the new video intros on your email signatures and on social media with your consultants talking about the new positions – very clever.In paintings, drawings, collages, and sculptures, Y.Z. My experience of working with Foundation is very good, which is why I’m a repeat client. Lastly, Danielle was able to persuade our chosen candidate to pull out of another active application process to secure her to work for us, and part of that was the way she had sold the benefits of working for the Derby Centre. Having spoken directly to some of the candidates, they really appreciated the time she had taken to help them with their interview, always available to offer advice and able to deliver constructive feedback. Danielle really took the time to understand the brief and proactively went out to search for candidates that matched our profile.ĭanielle supplied some very good candidates but what impressed me most was her flexible approach when we redirected them to different vacancies and the relationships she built with them. I have worked with Danielle Godolphin on a few roles in the last 2 years and I have found her to be an excellent consultant.
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